Building A Bridge

Art Gives Its Power Away

Building A Bridge

Aesthetics is a subjective feeling one gets and later tries to talk about either visually or textually. The aesthetic is often described as sublime, mystical and invisible. It is hard to place a value on aesthetics because it is so mystical and invisible and subjective.

How We Have Come to Know Reality

How have we come to know reality? Is it caused by the past, history, that forms what we create in the present? Or have we come to know reality as something we create that is soul-y related to our perceptions, senses, and ideologies?

Peacock

The Origin Of Art

Peacock

I have also been telling people when they ask me when did I know I was going to be an artist – that I have felt that I was called to do what I do, that I have tried to give it up, move onto something else but always come back to making and creating art.

Words versus Images in Art

 Is reality nothing more than a narrative? A visual and or linguistic construction that can be controlled and that controls what we say and how we think?  I reality nothing more than words and images?  If reality is nothing more than a visual or linguistic construction than reality is a figment of what we imagine,

Freedom – the no hands approach to making art

Remember when you could ride your bike and it was your vehicle to freedom, your means to get away and journey to places that only you, well you thought only you, knew about? Remember the joy and the fear of starting at the top of a hill, and gliding down going faster than you could

Kandinsky and Rhythm

The mind is conceptual, it is a consciousness which integrates with philosophical values, like ethics, and freedom and choice. To inject rhythm into his work, like a musical score was to inject as Kandinsky stated his inner world and the conceptual conscious choice to integrate it with reality and to integrate it with his own happiness.

How to Be an Artist, According to Wassily Kandinsky

At the time that Kandinsky painted, his ideas created change in how one thinks about art. His works and ideas were revolutionary. But now because his thoughts have become common place, and abstract works are indeed “non-representational” and indeed do not represent even simple forms